About
Bassoon, performing, teaching, acoustics, dogs, tacos, and family. That’s me! Here is the longer version: I am the Visiting Assistant Professor of Music at Lawrence University and Conservatory, where I am grateful to create art in a beautiful city with inspiring people. This untraditional bio will give you some background about who I am and why I indisputably have the coolest job in the world. Scroll to the bottom of this page if you would like to jump straight to a more traditional list of accomplishments.

Appleton, Wisconsin is my home! My path took me from Arizona to Tennessee to Texas, arriving in Wisconsin in 2023 for this teaching position. Appleton is a musically rich city with a beautiful community, which has captured my heart. Ask me about my newfound experience in a curling league, favorite downtown performance venue, and favorite vendor at the farmers market. It is a privilege to be a part of the Lawrence community, with forward-thinking inspirational students and colleagues.

Since the age of 5, my dream job was to be a musician. Today, I am living that dream! Although 5-year-old Brigit thought she would be a pianist, she would later meet an endearingly illogical instrument that became her primary means of expression: the bassoon. And yes, it was taller than me when I began playing it. A few years and degrees later, I now have a few inches over it.

Starting in high school, my vision of the future was complicated by an increasing interest in mathematics. I wanted to study both music and math, but discovered that this division of time was often discouraged explicity or implicitly in the university or conservatory setting. I am thankful that 18-year-old Brigit had wise council and was brave enough to whole-heartedly pursue both of my interests. It is a gift to have passion(s)! This is something that drew me to teaching at Lawrence University, which actively encourages and supports academic exploration. It is my mission to encourage students to discover and pursue their passions, just as my teachers did for me. (Shoutout to Kristin Wolfe Jensen, Peter Kolkay, Albie Micklich, and Martin VanKlompenberg.)

Over the course of the next few years, I continued studying bassoon performance through the doctoral level, while taking abundant coursework in physical acoustics. My current research applies these passions in the development of a bassoon intonation book with Mountain Peak Music (coming start of 2026) and the creation of resources for performers interested in utilizing acoustic principles to optimize their performance goals. Also, ask me about creation and exit from a start-up company that developed paritally synthetic reeds for the purpose of increasing economic access to double reed instruments!

Of primary importance to my work as a performer, teacher, and scholar, is my desire to make the world a better place and positively influence the lives of others. I find that this manifests as work-ethic, kindness, joyfulness, creativity, and sincerity. Music has the ability to communicate and impact lives, and we are missing the point if that powerful fact is ignored.

Now, I recognize that this is an untraditional bio. Although I have a list of accomplishments that I am proud of, I believe the above information is most important to knowing who I am as a person. Keep scrolling for the traditional bio.

Dr. Brigit Fitzgerald Pacher is the Visiting Assistant Professor of Bassoon at Lawrence University and Conservatory in Appleton, Wisconsin. By emphasizing creativity and individualized instruction at every stage in the learning process, Brigit collaborates with students to inspire a lifelong journey of learning and creating as 21st-century musicians. She is the director of the Viking Bassoon Ensemble, an inclusive community that builds the skills of collaboration and creativity with three yearly performances. An active performer and advocate for new music, Brigit is a collective member of Density512 and the SoundMap ensemble, two contemporary chamber collectives. Her major in mathematics and fascination with acoustics informs her approach to the instrument and reed making. Brigit is grateful to her incredible teachers: Kristin Wolfe Jensen, Peter Kolkay, Albie Micklich, and Martin Van Klompenberg.
Teaching
- Visiting Assistant Professor at Lawrence University since 2023
- Director of the Viking Bassoon Ensemble since 2023
- Presenter and performer at the International Double Reed Society Conference (2025), Meg Quigley Vivaldi Symposium (2025), and Chicago Double Reed Day (2023, 2024)
- Creator of Lawrence University’s Applied Musical Acoustics course in 2025
- Bassoon Teaching Assistant at UT Austin for four years
Soloist
- Soloist with the Phoenix Symphony, National Repertory Orchestra, University of Texas at Austin Symphony Orchestra, Vanderbilt University Orchestra, and Lawrence University Wind Ensemble
- Semifinalist in the 2023 Meg Quigley Vivaldi Competition
- Winner of the 2022 Young Texas Artist Competition (winds division)
- Winner of the 2021 National Bassoon Meetup Artistry Competition
- Winner of the 2021 First International Bassoon Tango Competition
Orchestra
- Principal Bassoonist of the Victoria Symphony Orchestra, 2021-23
- Substitute bassoonist with the Milwaukee Symphony, Fox Valley Symphony, Austin Symphony, Central Texas Philharmonic, and New World Symphony
- Attendee of summer programs with the National Repertory Orchestra, Aspen Music Festival, Sarasota Music Festival, and others
Chamber
- Founding Member of the SoundMap Ensemble, a contemporary ensemble dedicated to premiering new music
- Collective Member of Density512, a contemporary chamber ensemble
- Studied with Berlin Philharmonic Quintet members in Aix-en-Provence, France for 3 weeks
Degrees
- BM in bassoon performance and mathematics, Vanderbilt University
- MM in bassoon performance, The University of Texas at Austin
- DMA in bassoon performance, The University of Texas at Austin